Emily Rock
English I Honors
29 May 2014
I.
Introduction: There are no lines from William
Shakespeare’s canon more immortal than those opening Sonnet 18. “Shall I compare thee to a summer’s day…”
begins as an ode to a near-perfect love and serves to end the burdens of the
earlier sonnets in the cycle. It is from
the conventions of this early sonnet that all future sonnets are compared; and
although the ideals of beauty are later speared in Sonnet 130(My mistress’ eyes
are nothing like the sun…”), it is Shakespeare’s first examination of outer
beauty, a concept that he toys with during the entire cycle. Sonnet 18 stands not only as a testament to
the epitome of Renaissance beauty, but as a cautionary tale for wayward youths.
II.
Sonnet 18 is really about surface love, not real
love.
A.
Vendler
calls it “innocuous, dulcet, light.”
B.
Love is too deep for elaboration?
C.
Real love cannot be expressed in 14 lines, but
immortalization can be achieved.
III.
The theme of Nature lends itself to the ideas of
reproduction
A.
Vendler
discusses the idea of ‘necessity’ in the sonnet.
B.
Reminders of death, particularly with image of
‘sun.’
C.
Beauty will die first, and then the Young Man is
worthless.
IV.
Sonnet 18 is , after all, a sonnet of
conventions.
A.
Shakespeare
takes convention and trumps them
B.
The beloved is too beautiful even for
convention—beyond flattery.
C.
This pedestal foreshadows that eventual death of
the relationship
D.
In the end, it is impossible to love someone so
revered/perfect.(Vendler—“denigrate the perfect metaphor.”)
So that’s that.
Basically, I outlined my paper, complete with details from my research
in a format that will make it quite easy to complete my rough draft. This is due on MONDAY. <3
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